Excerpt from Comments on the Society of the Spectacle-Guy Debord
Generalised secrecy stands behind the spectacle, as the decisive complement of all it displays and, in the last analysis, as its most important operation.
The simple fact of being without reply has given to the false an entirely new quality. At a stroke it is truth which has almost everywhere ceased to exist or, at best, has been reduced to the status of pure hypothesis that can never be demonstrated. The false without reply has succeeded in making public opinion disappear: first it found itself incapable of making itself heard and then very quickly dissolved altogether. This evidently has significant consequences for politics, the applied sciences, the justice system and artistic knowledge.
The construction of a present where fashion itself, from clothes to music, has come to a halt, which wants to forget the past and no longer seems to believe in a future, is achieved by the ceaseless circular passage of information, always returning to the same short list of trivialities, passionately proclaimed as major discoveries. Meanwhile news of what is genuinely important, of what is actually changing, comes rarely, and then in fits and starts. It always concerns this world’s apparent condemnation of its own existence, the stages in its programmed self-destruction.