Archive for June, 2009

The Interview- by H.V. Chao

Thursday, June 25th, 2009

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—Come in. Sit down.
—Thanks.
—Have a mint.
—Thank you.
—So… you’re leaving us.
—Yes.
—Have you thought this over carefully?
—Yes.
—Where will you go?
—I don’t know yet. Haven’t really thought about it.
—But you’re sure about this. You’re sure you want to quit your job.
—Yes. It’s been too long. I’d like to do something else.
—What will you do?
—Something else. Not this. Not anymore.
—What else is there?
—Anything but this.
#
—Why are you quitting?
—Because this… is not what I want.
—What you want? I’ve never had what I wanted, but I’m not quitting.
—We’re different.
—We’ve always been different.
—From each other, I mean.
#
—You used to like it here.
—I had friends. I had a wife. Kids.
—No, no, no: you were good at your job. You enjoyed your job.
—The job isn’t the same.
—The people?
—The people aren’t the same.
—The places?
—The places no longer look the same.
—People, places: these things change. Others accept that.
—I refuse to do so.
—The job remains unchanged.
—No, the job is… somehow altered.
—The job remains unchanged; perhaps it’s you who’ve changed. Have you considered that?
—Maybe it’s true.
—So why have you changed?
—Maybe I don’t want the job any more.
#
—Why have you come to me?
—I didn’t. You asked me here.
—Would you have come to me?
—Yes.
—Why?
—I felt you deserved some explanation.
—Well?
—(silence)
—Do you consider me your friend?
—That would’ve had nothing to do with it.
#
—Let’s see, let’s see, your first assignment, what was it again now?
—You know quite well.
—But these things must be done accordingly, there are protocols, paperwork must be filed, after all you started this lengthy process… ah yes. Yes, you were always one of the best.
—Thank you… I think.
#
—What is it that draws you away now, after so many years?
—It’s always been the same thing. A slight but certain unease. The initial unwillingness, so long suppressed. An early memory of violence. The earlier intimation of purity. A distasteful ease and expertise. A genuine regret, sullied by complicity. The revelation —- sudden, sharp —- like pain, or a truncated cry, that I’d considered this at first and in all later ways only an alternative —- what is that noise?
—Noise?
—From the next room.
—Oh, that bland and tended sound? That’s our new machine. You know our motto: One hand at the bellows!
—…that I’d considered this at first and in all later ways only an alternative, while in the pasture beyond, something else shimmers into being… I’ve always been mistrustful of what we consign to automation.
—Panic drives you, then?
—I admit to a slight panic. Sometimes, a surreptitious tingle of panic, when I am opening the refrigerator or crossing the street or late at night, in the last dance at the nightclub, when the string arrangement rises above the bridge of the song like the pale day after.
—What does this panic come from?
—You know as well as I.
—Tell me.
—Panic derives from fear. The unsettling, uprooting fear that what I did only to pass the time while waiting, while wanting, has become my life, and altogether more addicting, more menacing. I dislike this. The insinuation of a venom in the veins. To look up and think, after all these years, I’ve come no closer.
—Why, then, did you wait so long?
—I don’t know.
—I have a theory. Many theories. All at once.
—I’m curious.
—Fascination. Violence. The slippery and alluring promise of success. The company of friends, professionals, educated men, men of character, or others like yourself. Honor. Tenure. Tradition. The promise of a beginning. The promise of an end. The very same thing you believe you’re seeking now. Or something dead and hollow, hurt and moist, warped and ruined within —- the ignoble and most unignorable part of yourself.
—Perhaps. (pause) That was very eloquent.
—Thank you. I allow myself these little lyrical interludes.
#
—Have you thought this through, then? Your departure, its effect on people? Who will be left behind?
—A woman.
—What awaits you when you leave?
—A woman.
—The same?
—No, different. The same. Different.
#
—You realize that it won’t change anything, leaving us?
—Yes, it will. It will.
—Many men before you have tried this.
—It’s an old story.
—The oldest?
—Almost. There was a time…
—Before it was necessary.
—Yes.
—Yes.
#
—So what will you do after you quit?
—Find a wife. Have a family. Raise some kids.
—You?
—All right then, no.
—(shrugs) Why not?
—(shrugs) Why not?
#
—May I tell you about my dream?
—Please.
—In this dream I own a fenced parcel of land, one in what seems an endless ladder of farms extending down to where I can’t see and up to what I can’t imagine. But I can’t escape the feeling, even with both feet on the springy turf, that what’s more important than this arable land is the fact of the fence, the spindly line of reason which whispers to us all our place.
—Perimeter.
—And all this, all my thoughts on this, I’ve written on the ceiling of the farmhouse in roughly ten point font. The ceiling lowers imperceptibly every day, which has greatly eased my task, but even as I now lie abed, scrawling madly the minutiae, the ramifications of ramifications, the caveats spiralling aside, the nota benes, the see alsos, I fear perhaps it’s being made too easy for me. What’s the difference between honor and obedience?
—I —-
—You think I’m evil.
—I think nothing of the sort.
—Perhaps I’m evil.
—It’s up to you.
—Just a dream. I’m surprised I remember it, frankly.
#
—Now tell me one of yours.
—In D– the treetops sink roots only once a year, in spring, staying anchored through the summer as, flush with leaves, their foliage takes the clumped and cottony shapes of what we know as clouds.
—The breeze that makes them shiver reminds them of the skies they roam in the remaining seasons.
—In autumn, with a great creaking and a snapping of twigs, they break away from trunks grown thick with bark and phloem, which become husks with jagged tips, or later often topple from sheer grief.
—Men gather these and from them fashion ships to cross the seas in imitation of the constant traffic of the skies, which they cannot attain, for as we know the waters are the heavens’ paler mirror.
—All through the fall, the treetops travel on the winds that bring their leaves down in rains of orange, red, and yellow, which the poets have identified with lament and melancholy.
—Who knows when a treetop will drift by above, filtering the light, and suddenly shawl the sorrows of young love in a swirl of gold? This is considered the most picturesque of seasons, though gardeners bemoan it, for across the rolling hills are left, like scattered remnants of a treasure, traces of the treetops’ passing, and in this time, treetops visit the world’s every corner, even the desert where they take no root, even the goat’s mountaintop, so that all may gaze up and know wonder.
—In winter, one looks on treetops that barely suggest, with stark and stricken branches, forms rounded like the clouds with which they share the skies. Instead, stripped of substance, frozen in a moment of shock, they seem tumbleweeds, and one imagines an accompanying lonely moan or, amidst shriek and buffeting gust, expects to hear the scrape of naked branches, like nails on a blackboard, or the clatter of twig ends, on the eggshell blue, but finds instead, in its absence, a reminder of how high and far away is the vault of the heavens.
—That was satisfying.
—It’s like an old song we sing.
—You remember —-?
—Always.
#
—About the women—
—Let’s leave the women out of it.
—You needn’t worry.
—… well then, what?
—About the women —-
—They have an imagination.
—Certainly, certainly, imagination, yes —-
—They have a suppleness.
—What do they want?
—But we don’t believe them, really.
—What, then, is a man?
—A man is a kind of death.
#
—But, please forgive me, this woman in the bar—
—I said nothing about work. I said I’d come to save the world, staggering from a burning Volkswagen in the middle of a field of neat furrows. She thought I meant I woke up with no idea how I got there, or how the hood got dented.
—Did she give you her number?
—On a napkin, slipped across the bar. I watched as dampness bloated the nine, and tried to remember if, looking down before, I’d ever managed to spot a Volkswagen from space.
—Why did you come to us, really, all those years ago?
—To save the world.
—(laughter)
#
—You realize, of course, that finally I cannot let you go.
—I was afraid you might say that.
—Afraid?
—No, not really.
—I will do all I can to stop you.
—Of course.
—Because I cannot let you go.
—You?
—They would not allow it.
—They?
—I can’t let you go.
—If necessary, I will die trying.
—There is a certain nobility in this.
—I didn’t say it.
—…nobility arising from the man who is unable, or unwilling, to transcend his circumstances. And yet refuses… There is, of course, a way out.
—Not for me.
—No?
—No.
#
—You’ve been with us a long time.
—A long time.
—As long as I can remember.
—Me too.
—Even longer.
—Yes.
—We go back a long time, you and I, don’t we?
—And still you will try to stop me.
—You have many friends in the business, don’t you?
—Yes.
—You realize they will all try to make you see the error of your ways.
—I’ve considered it.
—Failing this, they will turn against you.
—I expect nothing less.
—I may not be able to stop you. If I fail, you will be a free man. Then again, it is possible that I might succeed.
—The possibility exists.
—The possibility exists, too, that you may stop me, because you know me so well. Because we go way back.
—We go way back… but not far enough.
—No, I suppose not.
#
—Suppose, then, that there are two doors.
—I’m listening.
—I’m going to let you go through one of them peacefully.
—No strings?
—No strings.
—And the other door?
—The other door… you’d have to go through me to get through the other one.
—That’s it?
—No.
—Then I would choose the other one. Not the first one.
—What would possess a man to do such a thing?
—What would possess a man?
#
—I could be persuaded not to keep you. Could you be persuaded not to leave?
—No.
—I could be persuaded…
—No.
—Very well, then.
#
—Very well, then: a deal. One more service.
—I’m familiar with this. It will be the one I can’t perform.
—You haven’t heard it yet.
—Nevertheless, I accept.
—I had hoped at last, that you would be moved to undertake this out of heroism.
—I haven’t decided, yet. (pause) The possibilities of the heroic are not dead to me.
#
—So you will do this for me, then?
—Yes.
—I detect a languor in our tone. A certain reticence.
—Z was languorous. K was reticent. These words are not new to me. These words have been used to describe others.
—But it’s not the same.
—Yes it is.
—This time?
—No, it isn’t. (pause) What is it you want me to do?
—(whispers)
—Ah, I see. But I would have done this without coercion. It was never a question.
—You will die trying.
#
—You realize, then, that many have tried.
—Few have succeeded.
—Yes.
—The story, surgically excised from its particulars, hair nails teeth and fingerprints, abstracted from the table and the lamp, remains compelling. Without the force of actual, physical representation one would think it—the story—might lose a certain appeal, a certain…relevance. I must admit I myself find it…
—Undernourished?
—Skeletal.
—Simple.
#
—No. It does not lack poetry.
—Why does the story,
—This story—
—This story, reduced to an algorithm, its subtle shifts and equations of power, why does it continue to excite us? What is it that captivates?
—The outcome.
—… now now, we know the outcome already.
—(silence)
—Don’t we?
—It’s like an old song we sing.
—(hums)
#
—So…you’re leaving us.
—Yes.
—Have you thought this over carefully?
—Yes.
—Where will you go?
—I don’t know, exactly. Somewhere far away. Somewhere without you. Somewhere before here. Somewhere I am forgotten, or not yet dreamed of.
—We’ll find you.
—Somewhere farther away than that.
—We’ll find you. There’s no place that far.
—Well. A man can hope.


Somewhere, the work this H.V. Chao has not yet written has already been published in Lisa, Quatermass, the Sargasso Journal, Damariscotta, Rolleiflex, Juniper Damp, Evangile, Citron, and other plausibly, perhaps even pleasingly named, if ultimately imaginary periodicals, sparing him a lifetime of thankless toil and brow-furrowing worry, if he could only find the key to the cabinet that contains them. Meanwhile, he owes Diet Soap great thanks for publishing his first work of fiction. He will be at Clarion San Diego this summer, but as with electrons, knowing his location will not help determine his velocity.

Diet Soap Podcast #11: Sex Collectors and the Commodity Fetish

Wednesday, June 24th, 2009

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Geoff Nicholson joins in with the Diet Soap Podcast project this week and discusses his 2006 book “Sex Collectors” as well as the role the commodity plays in his work more generally. My wife Miriam reads aloud from Geoff’s first novel “Street Sleeper,” a book published in 1987. For a partial transcript of the interview check out what I’ve posted over at examiner.com. Future transcripts of future episodes of Diet Soap will also appear at examiner.com, a site that pays per view and which hopefully will generate the pennies needed for the USB microphone fund. You can find the podcast at dietsoap.podomatic.com, or download the podcast from iTunes.

Partial Transcript of Geoff Nicholson Interview

Tuesday, June 23rd, 2009

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I posted a very partial transcript of the interview with Geoff Nicholson that will be featured tomorrow on the Diet Soap podcast. Take a moment to look it over in anticipation, and remember that every time you read a Diet Soap Podcast transcript you are contributing to the ‘zine. Also with every click a kitten dies.

Partial Transcript of Peter Dale Scott Interview

Monday, June 22nd, 2009

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A partial transcript of my interview of Peter Dale Scott is up at the the Examiner. Take a look at part one, and part two. Future transcripts will appear online at the Examiner for as long as they’ll let me keep posting. Each page view earns Diet Soap a penny which goes into the USB microphone fund.

The Transformation of the World-Robert Chasse

Friday, June 19th, 2009

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One day the government was having trouble with the people, so it decided to put the leaders in jail. But the trouble continued, it even got worse. The government, seeing the mistake of having left itself no one to bargain with, decided to return the leaders to the people, hoping to reestablish a normal situation. By that time the people had gotten used to the absence and paid no attention to them anyway. It was the beginning.

“A sedentary gathering of a few hundred youngsters in Washington Square grew into an impromptu march of a few thousand. . . . Afternoon traffic was slowed as the demonstrators chanted ‘the war is over,’ spun noise-makers and banged gaily on cars they stalled as they tramped down the middle of streets or crossed against lights. The tone of the five-hour affair was mainly cheerful. On the way up, the lighthearted demonstrators followed a young man in a brown cape who was carried on the shoulders of another young man. ‘I don’t know why they followed me,’ he said, ‘I guess they wanted leadership.’ ” (Thereby transforming his role of spontaneous leader, of gamester, into a leader with followers.) He was deposed on the way back, however, after he had shown respect for the Establishment’s police arm. He had led a “hip hip hooray” for the police. Then, to the obvious astonishment of the police, he had asked them which route they would prefer the marchers to take on the way back. “After obtaining a 215-pound volunteer to carry him back, the 121-pound leader took off at the head of the parade. But the marchers ignored his request that they follow this route. When last seen he was on foot and alone.” (New York Times, Nov. 26, 1967). That was also a beginning.

The philosophers have only interpreted (justified) the world in different ways; the point is to change it.

1. Nexus of Individual and Organization

Liberation is individual or it is nothing. The individual is the pivotal element for and of liberation. All organization is the negation of the individual first in that it creates something other than the individuals who come then to form its parts. That other, which is the product of common action, acquires life and, as life, endurance which wills itself as permanence. Society — and the organization that precedes it — outlives the individual. This biological detail is of immense social importance.

The problem is how to assure that the organization does not lead to a re-hierarchization of the world, but to its uninterrupted transformation. It can only be the basis for the new community, the new collectivity: it must be in incipient form that which is and prefigures the new relationships between individuals. Those relationships are, in effect, the forms at the level of daily life of the new collectivity.

No individual can be free unless the collectivity is free. And the collectivity can only be free if it is the free association of individuals. Man is a social animal. Individual freedom was always, historically, negated because the collectivity was organized concretely for the struggle against want, a primary fact which preempted the freedom of the individual, and made of it, at best, a paradise of the mind. The removal of forced labor from the realm of man will allow men to rediscover in their non-alienated forms the whole history of man’s past, to rediscover for instance nature or competition, to rediscover work. It is this liberation from the alienations of history which will constitute the end of history.

We must assume that the proliferation of individuals — of men whose consciousness has become conscious existence (and in this sense consciousness is really a minority problem) — will engender, by being the contradiction within the absolute and absolutely old world, a qualitative leap into its uninterrupted transformation. The dialectics is not of history — much less of bourgeois history — but of life.

2. The Individual

Classical Liberalism defended the individual against the enveloping, undifferentiated collectivity — a weapon of the state — in the name of individualism, for the benefit of free-enterprise capitalism, where man is wolf to man, and all will turn out for the best in the best of all possible worlds. In individualism, freedom is conceived as a right of man not founded upon the relations between man and man, but rather upon the separation of man from man. It is the right of such separation. The right of the circumscribed individual, withdrawn into himself. It leads every man to see in other men the impediment, not the realization, of his own freedom. Murder is always incorporated.

The moment the individual, whose consciousness has become conscious existence, gives up his rebellion for the sake of organizational cohesiveness, nurses an unresolved opposition between members, he ceases to be an individual and is recuperated by the wiles of the old world. At root, we wish to break with these men who have forgotten their childhood, as the defenders of the old world have forgotten theirs. Who remember of it only the images that broke it, dominated it — who remember only the history of their adjustment to the enveloping and sterilized adult world.

There is no pleasure without pain. The old banalities return to us, but washed of their inversions. For when the world as it is now organized uses the line, it has in mind the permanence of pain, the endurance of suffering. The old man, leaning at the bridge, puffing eternally at his pipe, while the armies march forever by, the old man is patience, the only consolation. Pleasure appears as a streak, a break, a momentary usurpation that relieves and makes permanent the other. It gives birth to the sustaining visions of paradises lost. But the paradises are all and always of the mind. The lot of man, as you know, is to suffer. To repent. He killed his father, primal though he was. He murdered God. He cut off the king’s head. Visions and acts of liberation become domination. Life is this. People who do not laugh, for they are pensive, distant, contemplating with immeasurable sadness the laughter of their masks. Death, which comes to put an end to a long and productive life, becomes the ultimate injustice, the last straw.

A definition of production could be, that which has no beginning, knows no rest and has no end. For labor to be labor, it must be sustained: when labor retires, it is to die.

Yet, man is joy. A joy lost now between the hours when sleep is no longer sleep and not quite waking, it is the imaginings of childhood, the fantasies of man awake. It is imagination constructing and dissolving secret worlds, creativity sealed in characters in a book, stone on churchwall, area between the ears. Man as joy is man at play. And yet play, colonized in that it comes out in manners selected, allowed by the world, feeds the continuation of the world as it is. Play is creativity that knows rest, that knows silence and ends — that experiences time as something other than that true image of the assembly line: the endless circularity of the Swiss clock, the non-ending line in the perverted image of a cycle.

What we aim at, beyond want and external compulsion, is the play of life itself, the manifestation of freedom. The problem is individual as consciousness of its need, it is collective for its resolution: the one passes through the other, and lies already imbedded in the other. The aim is also the weapon. The collectivity — be it now community or nation — as suppression of the individual is ideology (mystification) at the service of the prevailing organization of life.

* * *
Many a man senses the poverty of existence, feels the wrong that haunts him, but at no point is the sense grasped, nowhere does it emerge into consciousness as a condition he is subject to. The grasping here is not the intellectual handling of ideas about a condition. Many (nearly all who think within the socialist perspective) are aware of such ideas. But the poverty of existence has not emerged into consciousness as their condition, the wrong is not to them (it is the humanist syndrome: which is always the concern for the other man’s sty). After all, they have fair jobs, or jobs they like, or women they love, or goods for consumption, or all these things. It is for them a general condition, undifferentiated, vague, a problem for the collectivity, which means other men, always. They themselves are free as the blown ashes.

When the unbearable poverty of existence emerges as the poverty of one’s own existence, when the condition ceases to be undifferentiated and becomes personal, consciousness as conscious existence expresses and founds the concretion of the general condition.

Consciousness as conscious existence, in becoming awareness of the poverty of existence — of each individual deprived of the possibility of being a man — becomes the expression of the desire for its transcendence — becomes desire for life — and joins play then not as diversion but as fundamental expression of becoming man.

I seek another, seek from another the recognition which is the verification of my own authenticity. And the recognition is mutual — the recognition I seek I find also in my myself as verification of the other.

The individual is not a static point, a level attained from which there is no departure. He is a process, and in that is a becoming, that only expresses itself in becoming. As people change — and they never fail to change — the conditions for recognition change. Recognition itself is not an abstract relation established between two other abstractions, even if these were called “living individualities.” The struggle is always to transcendence. Being is becoming, is movement.

Our thoughts, words, our actions bring us together and separate us. Communication permits as it were the ongoing recognition necessary between us. The foundation of communication is transparency. Fundamentally, transparency is to say, to express, everything. It becomes crucial when differences — oppositions — between individuals emerge. It is openness practiced, assumed both from oneself and from all others. This, used by a clarified consciousness (no longer mystified), is the most potent weapon against the wiles of the old world, the one confronted at the level of daily life.

But as the individual is not in isolation, neither are the individuals. We live — oppressive mundanity — in a bourgeois environment, every day, even through the hours of our sleep. We are in the atmosphere of the dwindling force of cognition — the progressive inability of the bourgeois world to deal with the truth, which also expresses its desire to actively conceal it. This relation to truth introduces a profound uneasiness, which is the subterranean awareness, the feeling that all is lie and dissimulation. (It finds its artistic expression in all the artists who see a crisis of all communication in the crisis of communication in the bourgeois world.) That crisis is its inability to tell and to face the truth: fundamentally, that it is passing. For the bourgeois world like any other cannot conceive of its passing, which it otherwise knows must be.

Communication among individuals who have become aware of their separation from the enveloping reality becomes complicated in that they are not isolated from its influence. It is not enough for one to recognize another once and for all, for the recognition can be subverted — and nothing subverts like reality, living experience. Transparency as weapon is also the end.

The invisible insurrection of a million minds is not enough: for they must pass to action, they must engage — and be engaged by — the real world. It is at this level — beyond mutual affirmation and as its expression — that the minds, become individuals, must organize.

3. Organization

The organization must create from the start the conditions for its development and its supersession at every phase. Not only one but several — many — organizations can function on this basis: but they are one in reality, that is, beyond appearance (the manner in which things exist).

The dwindling force of cognition — which is materially founded and maintained by the prevailing commodity economy, where men have materially based reasons for being incapable of seeking the truth as well as engage in the active concealment of it — also disappears as an element within the organization. (His position, as ace in the hole, within the bourgeois world does not fail at some point to engage Marcuse (an accomplished dialectician) in the dwindling force of cognition. It is not accidental that he turns at the end of One Dimensional Man to a technological gradualism, an intensification of the prevailing direction of technology over life — a revolution by the technocrats, no doubt? — as the element for the qualitative transformation of the world. It is an extension of the socialist perspective: he also has lost the proletariat; that is, the effective negation of this development. He says somewhere that an analysis which is not predicated on the possibility of its supersession, defines itself in terms of established domination. And so it is with him.)

The organization achieves a relation to all things which is determined purely by content: in accordance with its particular layout it already combats formalism and schematism and insists on the equal rights of all available means of expression. Talent calls talent.

Free expression of opinion replaces the “internal” discussions (all differences are brought outside and publicly clarified: all elements of differences between individuals are made accessible to all concerned) and replaces also the voting bound up with factions, the bureaucratic wangling, maneuvering, frauds and disciplinary proceedings. The sole compulsion derives from the conscience of the individual who is prepared to stand up for his views and actions — and change his mind, or change the minds of those around him — but who no longer knows the ridiculous fear of loss of prestige associated with concern for the maintenance of his position, his role, his mask.

The organization does away with all barriers between it and the environment and shapes with complete transparency for every man both its relations to society and its internal mechanism. Such a transparency, real, factual, immediately entering into consciousness, of all relations is only possible where commodity economy has ceased to exist with equal reality, factualness, immediacy.

The elimination of the universally enslaving commodity economy is a strategic goal of humanity — the organization accordingly enters everywhere into the generally desired dissolution of the existing conditions and is a day-to-day example of the transformation of society as a whole.

The organization which desires to alter conditions that have become unbearable cannot take a single practical step with revolutionizing the ruling conceptions that have also become unbearable, without, that is, disclosing the dependence of the intellectual on the material misery.

To accomplish its task, the organization needs the expression and elaboration of theory. In order to prevent that the expression coming from the organization become the property of the organization, it is necessary that the theory maintain the character of pure utility and that the writers not hesitate to destroy the relations of property between one another or between themselves and other writers (in the past or present) by incorporating thoughts, expressions, no matter how long, without hesitating to change their meaning in current texts, and fail to give proper “credits” (acknowledge property rights). In other words, that it practice the anticopyright with all writing — with all means of expression. Plagiarism — which is to steal the products of another individual’s spirit, imagination — establishes within man the permanence of the prevailing property relations.

The organization that dissolves the commodity economy within itself reintroduces in daily life that which in the bourgeois world (for daily life is bourgeois dominated) has an equivalent for all values, all quality — money. There is a quantity of it that will buy health, art, love, a quantity for friendship, and one that will make friends of enemies. Money is the supreme quantifier of all relationships after all relations have been reduced to relations between commodities.

The need for money is the real need created by the economic system, and the only need it creates (it is only through money that other needs become real). Money, which has the appearance of a means, is the real power and unique end. It is the universal and self-sufficient value of all things. It has therefore deprived the whole world, both the human world and nature, of their own proper value. Money is the alienated essence of man’s work and existence; this essence dominates him. The more you have, the less you are.

Neither the individual nor the organization can escape into relations that are not at some point penetrated by the mediatory powers of money. Its concrete elimination lies in the relation one establishes consciously with it in order to explode its content.

There must be absolutely no attempt at accumulation in order to put money to work making money. Money must always be at the service of the expression of the play of the individuals at grips with the old world, who make of play the center from which they activate and are activated.

* * *
It is commonly felt — and thought — that under capitalist conditions the masses are excluded from theoretical understanding and that therefore it can only be grasped by them or penetrate their consciousness as a practical movement. As the struggle takes shape more clearly, we will only have to observe what is happening and make ourselves vehicles of its expression.

But we must recognize that the differences in natural talents between individuals are in reality much less than we believe. About such differences, Adam Smith says that they are not so much the cause as the effect of the division of labor. To which Marx added concretely that in principle there is less difference between a sailor and a philosopher than between a watchdog and a greyhound. It is the need for individualization and quality production that will end mass life.

The intellectual tends to mystify understanding, as being simply the handling of notional relations, abstractly. Perceiving a need for “understanding” by, say, workers or students, he thinks they cannot understand as he does (a fair assumption), therefore he must reduce, simplify, come to the level of their ability to perceive in his manner. No such massification must take place. The intellectual also is subject to the practical movement that has to penetrate his consciousness in order for him to grasp — and be grasped by — the reality he has only been trying to explain.

Within the practical movement necessary, conceived here as quality that transforms consciousness, lies concealed the quantity of experience — of activity — that allows this or that individual to make the qualitative leap that transforms any level of understanding into cohesive perception and consciousness as conscious existence. Consciousness is a minority problem: it is fundamentally an individual problem arising out of the interaction between the general (say, generally, social conditions) and the particular (each individual).

The participation of the organization in practical activity, its presence in the world, is also its presence in the minds of men. They can witness its theory and practice. It is each man therefore who decides to enter into a dialogue — at the level of an exchange of views — with a number of individuals already in the organization. It is the result of this dialogue which shows him and those already within the organization if the consciousness is shared. This is the problem and the act of recognition. Once this recognition has been established, it must be maintained with transparency (the foundation of communication among individuals). If differences appear — and the course of reality will see that differences do appear — they are either:
1) simple error, misunderstandings, which the ongoing transparency of relations will quickly correct; or
2) antagonisms that reveal real opposition and therefore the need for a new transcendence on both sides. For one or several individuals of the organization to be cast into the void by exclusion, for recognition to cease, in effect, is really to cast the whole organization into the void over an unresolved opposition — opposition merely suppressed by suppressing the individual or individuals that bring it about.

Whoever wills to maintain an opposition, on the other hand, chooses to close off communication, to end the transparency of relations, and so eliminates the condition for his continued association with the organization. Since all differences emerge into the open (the public), this separation would be self-evident.

The organization is the weapon for the effective negation of class-society; the combined action of individuals. It has no formal power over the individual.

* * *
It has been suggested that a truly “democratic” organization would allow the masses to enter at any time and take over the organization: determine its practical as well as its theoretical content. However, the mass penetrating as mass (as undifferentiated individuals) subverts because it brings to the organization a false consciousness, which is consciousness mystified (dominated by the old world). In the name of democracy — rule by the mass, one of the most powerful illusions of the modern world — one would allow the practical directions and the theoretical content of the organization to be returned to the old world, and appropriated.

This penetration by the mass was felt to be another safeguard against the hierarchical party structure, as well as the condition for its removal. Many revolutionaries of the past 70 years or so saw the revolutionary aims of parties subverted by their hierarchical structures, and the anti-hierarchical, anti-bureaucratic unions subverted by an absence (if not a specific renunciation) of revolutionary aims. And then, there were certain examples, certain Workers Councils that — with the union structure — had been involved in the best revolutionary moments of the past century. (It should be noted that a dissolutive element present at the very beginning of some of these was that political parties were represented as other unions. Represented at the level of individual representatives of labor were political weapons (parties), representing the attempt to appropriate the political power of the individual representatives.) The problem arose out of thought over the problem of the administration of things.

The Seattle General Strike is informative. Briefly, the union bureaucrats were all off to Chicago (to debate another General Strike that never came off). There had been no general strike before, there were no concrete organizational (managerial) lines laid out to follow. This was — despite ideas about general strikes that were in the air of the time — uninitiated experience. The unions (craft unions, this was the AFL, mostly) elected three representatives each, who then formed the General Strike Committee (an Assembly, or if you will, a Workers Council). They immediately discovered the syndrome of large bodies — impediment to swift action — and made subcommittees. Here then were the uninitiated, the age-old dumb workers: in a few days they were confronted with and solved the problems of the administration of the city. The strike merely lasted a week: but the time involved here is not what matters, similar structures elsewhere and under more arduous conditions lasted much longer. The problem is not to continue administration, but to initiate it effectively. They initiated, and without waste. It was essentially the same union-based structure that made the anarchists function throughout the civil war in Spain. Here, then — in degrees varying from a nonrevolutionary week in time of peace, to the duration of the war in Spain — were the dumb, anti-hierarchical, anti-bureaucratic workers dismantling the myth of all the bureaucracies: that effective management is not only the kingdom of the bureaucrat, the functionary, but it takes the bureaucrat to even think up and solve the problems of management, the problems of administration. This problem — of the administration of things — is a false problem: it is not a problem.

The real problem for us who have the trade union movement experience (revolutionary or not) as history, as knowledge, is the problem of individuation: the conditions for the emergence of each man as free subjectivity.

The safeguard against subversion by the masses as masses is the mutual recognition of individuals, it is selection that is self-selection. But the growth of the organization — in confrontation with the old world, in the mundane everyday — the conditions for the “mass” taking over would be found again in the increasing moments of change that lead to the qualitative leap we commonly call the revolutionary moment: but the mass would penetrate as individuals and it would be high time for them to take over what then would really have become a common struggle.

We know that the proliferation of individuals — of men whose consciousness has become conscious existence — will engender, by being the contradiction within the absolute and absolutely old world, a qualitative leap into its uninterrupted transformation.

* * *
We apprehend the future through the distorting-mirror of what is to be destroyed in the present. Every projection into the future is in a sense a prolongation of the past. Every Utopia less a construction of the future than an elimination of the evils of the present as mere negation, prolonged in time, and thereby fixed: reified. Everything must be destroyed which is construed as impediment, whether an old building, an old city or an old work of art, not to speak of an old civilization. There is no destruction which does not also construct: but what elicits the construction is the destruction itself. The supersession of a condition is not the apprehension of its need in thought. It is only the conscious action of men upon the world which ultimately transforms it.


ROBERT CHASSE
April 1968

Dedication- by Olga Zilberbourg

Thursday, June 18th, 2009

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I read the dedication only after finishing the last word on the last page of the book. I’ve gulped the novel down in one sitting, assisted by the uninterrupted nature of the trans-Atlantic flight and a poor selection of in-flight entertainment. I’ve read it almost too quickly; with half an ocean to go, I am by no means ready to part with the story and its characters. The novel is thought-provoking: after the main character is abandoned by his secret lover and witnesses the collapse of the Charles De Gaulle airport in Paris, he runs away to a remote Greek island to work as a fisherman and search for meaning.
Lingering with the pages of the book, I’ve read the author’s notes and postscript, in which he explains his naming strategy and claims that all similarities to real people and events are purely coincidental. I flipped back to the beginning and read the editor’s introduction, from which I’ve learned not only that the novel is based on real events, but also that the narrator’s words represent the voice of my own generation. Then, I read the dedication. It’s rather elaborate: the author thanks each individual member of his family; his mentors and editors; some friends in the hope that they would remain so in appreciation; his research assistants; people who gave him the grant to finish the novel; the owners of the B&B who kept feeding him breakfasts while he worked on the final chapters; and me.
“And last but not least, from the very bottom of my heart, I thank Zoe Olsberg, an unforgettable night with whom helped to germinate the idea for this novel.”
The creepiness of finding my own name in the book is thoroughly punctuated by the plane’s encounter with an innocuous air bubble that nonetheless causes several of my neighbors to scream in terror. When the cabin stabilizes, I read the page over from the “eternal gratitude to my mother” to “I thank Zoe…” This sends an odd sensation down from my back to my toes. I adjust my chair into the sitting position and flip the book over to look at the name on the paperback’s cover. The book is a loan from a senior engineer who explained the United Nations’ interest in the highway construction project in Macedonia over lunch before I headed out to the airport; she had just finished reading it and recommended it as good airplane fare.
“And it’s set on a Greek island!” she added, as if Macedonia and Greece were one and the same thing.
No matter how long I stare at it, the name on the cover reminds me only of the author’s popularity. I am 99.9% positive I’ve never met anybody from Greece by the name of Max, much less spent the night. Did my co-worker see the dedication and give me the book knowingly? After all, she has always taken an interest in my love life, and sending me out on construction projects in the countries usually devastated after decades of war, always offers tips on what I should be doing “for fun.” Then again, nobody can accuse her of being shy: had she noticed the name, she would’ve surely brought it up. Who ever reads long dedications, anyway?
My name is still there, printed in the standard serif on thick, grainy paper. I turn the page over. The trouble with gulping down novels is that they tend to evaporate from memory almost as soon as they are consumed. I reread the first page as if I had never seen it before. The words on the page seem familiar, yet, oddly so: not as though I have seen them eight or so hours previously, as the airplane reached cruising altitude above New York; instead they come from a distant memory, a thought that once flashed through my mind and never developed into anything solid.
“Distance,” says the man. “Distance between me and every other human being. It’s increasing. Every new person I meet, I am less and less able to talk to. The words don’t form phrases. And the things they tell me, I never know what to answer back. I always try to be the first one to say ‘Hello’ to people in the morning, because if they say it first, they use my word, I don’t have anything left to say. I used to have friends… I have friends now, but nothing to tell them. I meet them, we talk, I talk, talking has become a compulsion, I have to be always talking, but I never quite get to it. Look at me now, my eyes are watering, I am about to cry, I am in tears, as if I haven’t spoken to anybody in years. But talking is all I do, ask me a question, and I tell you anything you want to hear, much more than you want to hear, ask me a question, and you will be my new best friend. It is awkward to meet people, there’s always this distance that makes me so awkward, not me but my words, my words are always so awkward, it’s because I don’t really have anything to say. I’m not telling stories, I am repeating the stories I’ve told over and over again. There’s nothing original nor unique, there’s nothing authentic about me, it is all just language, words upon words, strung together, and not even pretty or coherent. Look at me, I’m seriously crying, and I’m completely sober, I didn’t have anything to drink, and I’m a mean drunk, imagine what would’ve happened if you poured me a drink. I’ll be thoroughly embarrassed in the morning, no getting around it for sure, it’s like a disease, words pouring out of me, words, and tears, and who knows what else…”
The man keeps talking to me in English, clear tears streaming down his bearded cheeks, and although he says a lot, he never seems to come to the point. He speaks in curt, broken half-sentences that strangely seem to run on and on in never-ending speech. There’s clearly an accent, but Greek, Czech or German, I cannot tell. He’s middle aged and well dressed, he’d fit much better into the business class cabin than here, at the back of the ferry, among backpackers and local families. Admittedly, it was I who started a conversation, taking him for a local and looking for advice about lodging at our port of call. And I did get a few useful tidbits from him (do not stay in Fira, go to Oia; do not agree to more than 25; check the shower) before our conversation was overrun by the stream of his badly put together confessions…

I reread the page several times before a plausible memory of a predawn conversation with a stranger in a Paris airport starts to emerge. In my mind’s eye, I am several years younger and only recently joined the ranks of traveling civil engineers. Unused to all the eventualities of air travel, I fell back on protocol when the unexpected occurred. If my transatlantic flight arrived in Paris in the middle of the night, I felt myself under obligation to wait at the airport for the early morning connection. Trying to save the agency money and time, I deprived myself of sleep. Even though I had not slept in more than 24 hours, I would still be unable to doze because of the close to freezing temperature at the empty terminal. There was one working heat lamp, and I paced around it through the night, swearing to myself that in the future I would not let my managers put me in this situation. Closer to dawn, a youngish man, the collar of his light sports jacket turned up, straggled his way up the corridor and joined me under the lamp, apparently the only heat source in this wing of the sprawling complex. In my reconstructed memory, he had a British accent. I would have said a lot of different things to him that night: talking is a great way to keep warm.
It would have been a very strange conversation between me and that man, especially since my perception was severely altered by the lack of sleep. I was en route to Belgrade or to Kathmandu or to some such place where I would have to interact with people in sign language. This added significant stress to my job, and caused discomfort even when my partners spoke some English. I could never be sure that they understood me, even when it came to the mission-critical tasks. Perhaps because I stayed on edge throughout the conversation, I would have talked wildly, pushing on him my ideas about literature; and he, falling in with my passion, described his dream engineering projects. Both of us would be talking of ways to overcome distance. In my state of heightened awareness, I could have shared with him my idea about how literature was the best way to travel, to traverse the space between places and people. In a novel, one crosses the Atlantic in a space of a sentence. Writers, I complained, are always overcomplicating things: why invent time-travel or space-travel, when essentially every novel ever written does that already? I shared with him my wish to have somebody focus on the distance that exists between people that could not be minimized despite any effort.
“Describe the distance,” I had insisted.
Side by side we would’ve walked in circles around the heat lamp, and only occasionally I would turn my head to see the silhouette of his back, the upturned collar of his jacket, his long black hair in the red light.
There is a face framed by strands of black hair printed on the back of the paperback, and it’s not at all difficult to imagine the straight long nose and high cheekbones belonging to the stranger in the airport. My sensation is that of a quasi déjà-vu recollection: the man talked about bridges. Flipping again through the pages of the novel I find nothing to confirm this almost-memory. The image that my mind draws has my chance companion speaking about bridges with fascination: an entirely new variety of bridges, flexible, floating constructions built on the water surface. They were to be built in sections and could move up or down at the will of the traveler or in an automatic reaction to natural stimuli. Because they would be floating in water, they did not have to be very thick, but could be very long. He imagined enormous Plexiglas bridges over oceans, trains zooming back and forth between the continents in the matter of hours.
“Why can’t you design that? Travel doesn’t have to take days,” he insisted.
The flight attendants serve our last helping of peanut snacks, which means we are going to be landing in Paris within an hour and a half. I turn over the pages of the novel warily, desperately trying to find any reference to the bridges floating on water—but in vain. My memory of this brief encounter at CDG is so fluid, without any beginning or an end; it seems much more like a dream than anything that could have occurred in that place of steel and glass. The next episode of that dream or a chance encounter disintegrates into a nightmare. The sun rises and the airport quickly fills with people. Two airplanes roll up to the terminal almost at the same time: mine, ultimately destined for Belgrade or Kathmandu and his to Athens. We watch them park at the adjacent gates, when suddenly there is a shudder, a sort of an earthquake, and then the steel beams that support the brilliant glass roof of the building folded as if the metal had been a hollow sheen. And in the next moment, my chance companion and I are thrown rudely and painfully into each other’s arms.


Olga Zilberbourg is a fiction writer residing somewhere between San Francisco, CA and St. Petersburg, Russia. A collection of her stories was published in St. Petersburg in 2006. In English, her stories have been published in Thema, Faraway Journal, The Writer’s Eye, ezra: journal of translation and others. A longer story is included in a recent anthology from the Drollerie Press entitled Things That Go BUMP in the Night. She is also a Story of the Week editor at Narrative Magazine.

Diet Soap Podcast #10: Peter Dale Scott on Social Change

Wednesday, June 17th, 2009

dietsoap10
This week’s Diet Soap podcast features the second part of a conversation with Peter Dale Scott about his book “The Road to 9/11.” Peter also discusses his views on the pros and cons of Noam Chomsky, his admiration and impatience with anarchism and other revolutionary strategies for social change, and the necessary difficulties involved with attempts to understand deep politics. Phil Och’s song “Love Me I’m Liberal” along with a factoid on the Titanic are also featured. The episode is available for download at dietsoap.podomatic.com and from iTunes.

Diet Soap Featured on Black Light in the Attic Podcast

Thursday, June 11th, 2009


The most recent episode of the Black Light in the Attic podcast features an interview with me, and some excerpts from the Diet Soap podcast. The Black Light in the Attic is a mind bending podcast that you can dance to. Check it out.

Black Light in the Attic Episode 23.5

Diet Soap Podcast #9: The Road to 9/11 with Peter Dale Scott

Wednesday, June 10th, 2009

dietsoap9
I interview author and scholar Peter Dale Scott about his book “The Road to 9/11″ this week. Peter is well known for investigating what he calls “deep politics.” His website is peterdalescott.net. Also in this episode are the voices of KMO of the C-Realm (reading from Lewis Carroll’s “Through the Looking Glass”), Michael Parenti, Noam Chomsky, and the members of the SWP. If you enjoy this episode send me an email, or consider contributing to the Diet Soap USB microphone fund by clicking the donate button at dietsoap.podomatic.com. You can also find the Diet Soap podcast at iTunes.

Douglas Rushkoff on the C-Realm

Monday, June 8th, 2009

Life Inc. The Movie from Douglas Rushkoff on Vimeo.

KMO of the C-Realm will be posting his interview with Douglas Rushkoff on Rushkoff’s new book “Life Incorporated” on Wednesday, June 10th. I plan on listening to the podcast, and recommend you subscribe to the C-Realm.